About the cover and photographer
A horned puffin shifts his weight from one leg to the other getting ready to fly, St. Herman Harbor, Kodiak, Alaska. © 2017 Marion Owen.
Marion Owen is a Kodiak, Alaska-based photographer. Her photographs and articles have appeared in numerous publications including The Nature Conservancy, Better Homes and Gardens, TIME magazine, Audubon, and National Geographic Traveler.
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EDITOR’S NOTE |
|
| 35th Anniversary | |
FICTION |
|
| The Peregrine at the End of the World | Maria Mutch |
| The Go Seekers | Christian Moody |
| The Entomologist | Hadley Moore |
| The Good Marriage | Glori Simmons |
| Hank | Peter Gordon |
| Dogs in Night to Barn Where Sheep | Robin McCarthy |
| Doth the Wild Ass Bray | Garrett Simmons |
| Sweethearts | Jenny Irish |
| A Kind of Person | Ben Nickol |
| Common Application with Supplement | Marian Crotty |
| The Assailant | Ariel Djanikian |
| Runway | Caitlin Kindervatter-Clark |
SPECIAL FEATURE |
|
| In the Footprint of the Crocodile Man | Carol E. Mayer |
| Memories, Myths and Contemporary Art of the Sepik River, Papua New Guinea | |
| Introduction | |
| Origin Myths | |
| Customary Life | |
| Village Life | |
| An Uncertain Future | |
| Epilogue | |
| Bibliography | |
POETRY |
|
| Why Give An Excuse for Skinny Dipping | Jessica Jacobs |
| Leaving Home | |
| From Toward Antarctica | |
| Signing on Again | Elizabeth Bradfield |
| Along the Coast | |
| Patagonia: Pio XI Glacier | |
| Fortuna | |
| Encounter: Leopard Seal | |
| First Landing: Brown Bluff | |
| Closet Moths | Karen Leona Anderson |
| Roach Ode | |
| Woundwort | |
| That Bird Out There | Karla K. Morton |
| Not Montale’s Eel | Wendy Barker |
| Bamboo Forest | Faith Shearin |
| Interpretive Trail | Willie Lin |
| American Mutoscope and Biograph | Michael Hurley |
| The Numerous | Bruce Bond |
| East of Glastonbury | G. C. Waldrep |
| In a Painting by Marc Chagall | Kareem Tayyar |
| Frontier | L.A. Johnson |
| Georgic I: Back-to-the-Land Poem | Ben Swimm |
| The Grosbeaks | Jill Osier |
| Like a Great Sadness, the Tide | |
| Illusion | Gabrielle Bates |
| Pastoral | |
| The Masters | |
| Orgasm as Lapwing | Jennie Malboeuf |
| Fear | |
| Kaan and Her Sisters Survive the Siege | Lena Khalaf Tuffaha |
| Dear Miss Sahar | |
| Pastoral with Restless Searchlight | Michelle Brittan Rosado |
| Poem to My Unborn Son the Morning after the Election | |
| Ghost House | Kate Gleason |
| Understudies | John Sibley Williams |
| 1976 | Chanda Feldman |
| But We Lived | |
| Nobody Wanted Such a River | Erin Hoover |
| Once Mother and Father Were Buried | Susan Rich |
| Oolite Lunch | Mira Rosenthal |
| Vocalise | Laura Fargas |
| Blues for the Ivory | Billed Woodpecker |
| At a Cocktail Party, I Am Given a Drink Called, “Life is Fleeting and the Olive is Temporary” | Kelli Russell Agodon |
| The Next to Last to First Kiss | Taije Silverman |
| At Sunrise | Dilruba Ahmed |
| Local Newspaper, Floating Photographer, Father’s Day Edition | |
| Estelle | Michael Mark |
| Women in the Waiting Room | Kirun Kapur |
| Hotline | |
| Flannery’s White Irises | Peggy Shumaker |
| Brocade | Jane Hirshfield |
| Musa Paradisiaca | |
| Questionnaire | |
| Harboury | Robert Wrigley |
| Horse Heaven | |
